About “BlueyCapsules” in a few words:

BlueyCapsules offers fans a new lens to peer into the enigmatic world of Five Nights at Freddy’s. Starting as a playful jest among budding friends on April Fool’s Day in 2020, this webcomic rapidly evolved into a collaboration involving 18 artists, resulting in a saga that pays homage to the original while introducing its own unique characters and ideas. While it commenced as a parody, today it stands tall with its own identity and a dedicated following.

Meet the characters from BlueyCapsules

Elizabeth Afton

Oh man, Elizabeth is the kind of kid who looks like sunshine and quietly terrors the plot — curious, stubborn, and weirdly graceful about getting into trouble. She adores robots in a way that’s almost religious, but will also hide under blankets when the vacuum cleaner comes out (makes zero sense, I know). There’s this tragic, sticky sweetness to her: playful one second, haunting the halls the next — and yes, she absolutely has a favorite stuffed animal that she names three different things depending on the day. She leaves a trail of small, unsettling details everywhere she goes, like a giggle behind a curtain or a cupcake smeared on a forgotten console.

Michael Afton

Michael is the tired, determined fixer — the older brother who tries to clean up messes nobody else can face, and somehow looks rougher for it but also more real. He’s patient in a way that sometimes tips into stubbornness, definitely overthinks things, and drinks cold coffee like it’s a survival tactic (probably is). Beneath the stoic exterior there’s this fierce, weirdly tender loyalty — he’ll talk to animatronics like they’re people and write notes to himself and then lose them, classic. He’s a walking, slightly chaotic redemption arc, equal parts dad-joke resigned and quietly heroic.

William Afton

Oh, William — charming, manic, and the sort of smile that remembers your name and your worst mistake; absolute mastermind of mayhem, all buttoned-up in a suit that smells like old pipes and bad decisions. He’s corporate-sleaze meets carnival barker: brilliant, cruel, and obsessed with making things that look like friends but don’t play by the rules (not a great quality, honestly). He collects curios — little metal trinkets, broken music box parts — and hums nursery rhymes in the worst moments, which makes him both creepier and oddly poetic. There’s a cold intelligence to him that’s both magnetic and nauseating; you can’t look away, even when you know you should run.

Boss Boseman

Okay, Boss Boseman is like if a cartoon CEO had a caffeine addiction and a soft spot for tiny hats — larger-than-life, loud in meetings, but also suspiciously good at making you laugh when you’re supposed to be afraid. He runs things with a chaotic spreadsheet logic: hates bureaucracy but creates it, loves order but leaves sticky notes everywhere, and definitely has a goldfish named Reginald who gets more budget attention than a junior manager. He’s flamboyant and blunt, has an unexpected habit of sketching silly cartoons during crisis briefings, and somehow people still follow him — probably because he can be terrifyingly decisive when it counts. He’s equal parts boss and bizarre uncle, and that combo is weirdly effective.

Henry Emily

Henry is the soft-spoken genius with paper-cut hands and a funeral dirge for a heart, you can tell he builds things out of grief and stubborn hope. He’s creative, meticulous, and polite to a fault — the kind of person who apologizes to dead machines and then sketches apology notes that he never sends. There’s this melancholy nobility about him: planning, tinkering, trying to undo harm in small, beautiful, quietly desperate ways (also he probably brews tea for three and forgets who the third cup was for). He’s both the brains who remembers how to fix a broken thing and the ghost who carries the guilt, which makes him heartbreaking and oddly heroic.